13, Rue Thérèse by Elena Mauli Shapiro

By Elena Mauli Shapiro

American educational Trevor Stratton discovers a field choked with artifacts from global struggle I as he settles into his new workplace in Paris. the images, letters, and items within the field relate to the lifetime of Louise Brunet, a feisty, captivating Frenchwoman who lived via either global Wars.

As Trevor examines and files the relics the field deals up, he starts to visualize the tale of Louise Brunet's lifestyles: her love for a cousin who died within the warfare, her marriage to a guy who works for her father, and her allure to a neighbor in her construction at thirteen rue Thérèse. The extra time he spends with the items even though, the more true his imaginings of Louise's existence turn into, and the extra he notices one other beautiful Frenchwoman: Josianne, his clerk, who planted the field in his workplace within the first position, and with whom he unearths he's falling in love.

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Extra info for 13, Rue Thérèse

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This day with the peaceful academic taking notes on their unwinding lives in a corner of the room—Louise never forgot it. Her brother died the next day of the Spanish influenza. Petit calendrier memento pour 1928 * AS YOU CAN SEE, the notebook is tiny—approximately two by three inches—but its paper is good and thick. ” The first page advertises the business of a jeweler named Cleper, whose shop is on the boulevard de Strasbourg. The diary is clearly a small favor given to customers or potential customers as a form of advertisement.

The fellow in the car demands. “In a manner of speaking,” the man says. ” “Not for a while. ” The man’s simple civility disarms all of them. They are quiet. “But I must get through,” the fellow in the car says rather plaintively. “Well, you cannot, and such is the state of things. You will have to back up, and find another way around; it can’t be that complicated. ” The man enunciates clearly enough that Louise and Garance can hear his every word, though he does not raise his voice. His tone is not angry: it is merely a statement of what must be, with an edge of mocking dismissal rising into the last question.

Louise would amuse herself by picturing the labor in the straining musculature of the movers, except she is too interested in the new family. She keeps catching unsatisfactorily short glances of them as they dash back and forth in a flutter of excitement and anxiety, hoping that nothing gets broken as they are installed into their new home. There are several children, all boys with smooth blond hair, as far as Louise can see. There seem to be dozens of them, but she has not seen more than two together at any given moment.

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